(4 to 5 minutes MAX)
Examples are drawn from Donne's "Batter My Heart"
1. Paraphrase
In real IOC, you will not have time to write a full
paraphrase; you may, however, paraphrase a small portion of text in order to
illustrate a feature of the original.
The purpose of this exercise is to help you 1) identify literary
features, 2) reinforce the habit of considering EVERY WORD in the text, and 3)
practice paraphrasing, which is as valuable as it is difficult.
Summary vs. Paraphrase: A summary is a shortened version that omits
details. A paraphrase is
roughly the same length and retains the original detail and meaning, just
rendered "in your own words."
A true paraphrase DOES NOT consist of leaving some words out and changing
a few others. If you have used three
words in a row from the original, plagiarism is at hand.
1a. Line-by-line paraphrase
Write a COMPLETE line-by-line paraphrase of your poem. Type each line of your poem into the left column of a table. In the corresponding right cells, write a specific paraphrase of what is said in each line. (Okay for lines to begin/end slightly differently on the two versions.)
|
original line |
paraphrased line |
|
Batter my heart,
three-personed God; for you |
O Father, Son, Holy Ghost: take my heart by force! So far, all you've done |
|
As yet but knock, breathe,
shine, and seek to mend; |
is invite me and inspire me
and try to heal me; |
|
Continue with the lines of
your poem. |
|
2. Interpretation
You should come into real IOC prepared with at least a basic interpretation for each of our works!
In one sentence, summarize the paraphrase above for the "prose meaning" or literal meaning of the poem. (This sentence will incorporate the speaker and the subject; include the situation and/or audience if significant.)
Summary of 1a:
|
In this poem, the speaker
implores God to take over his soul by force and break the speaker's bond with
the devil. |
Note: "Hidden" or symbolic/metaphoric meanings
are only one type of interpretation, and not always called for.
Sometimes the effect will be "hidden in plain sight;" sometimes it is as simple as a
particular emphasis you notice in the poem. What meaning do you make from the text? How does it influence your experience
or views?
2b. In one or two sentences, summarize your "total meaning" or interpretation of the poem.
|
This poem's spiritual metaphor
parallels the difficulty of personal change. It can require great force to simply break a bad
habit; to break from sin
entirely would seem to require no less than divine intervention. |
2c. alternate interpretation (optional)
|
This poem examines the
complexity of a personal relationship with the Creator: how subtle, intimate, and profound it
can be. |
2d. yet another possible interpretation (optional)
|
This poem emphasizes the role
of reason and logic in living an honorable Christian life. |
Note: I
strongly encourage you to consider multiple interpretations; sometimes you will find that the best
aspects of each can be synthesized together for a more complete
"total" meaning.
However, you must COMMIT to ONE coherent interpretation for the purpose
of your commentary!
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Your goal is to persuade
us that your interpretation is a meaningful response to the poem, and valid
based on the text.
3. Literary Features
You should come into real IOC prepared with a sense of each poem's dominant feature/sÑand the range of features typical to each poet's style!
Attach text of poem, colormarked and annotated with all your observations about the text. This may be a photocopy of the work you did in your packet; if that is not easy to read, please redo and attach.
|
Attach annotated text. |
The following features are REQUIRED for the Milli-Micro analysis:
Tone/s or Structure
Diction or Imagery
At least one additional feature significant to your poem and/or interpretation
REMINDER: When you discuss diction, be sure you are discussing REGISTER or CONNOTATION or SOUND or other specific features of the word choice, and always discuss alternate synonyms!!
Helpful Hint from Heloise: When CHOOSING which features to examine, focus on the ones MOST relevant to your interpretation!
v Features present in specific words/lines of text crucial to your interpretation
v Features that, by their very presence, have a specific effect upon your interpretation (for example, a sarcastic tone that makes the total meaning of a poem the opposite of its literal meaning)
v Dominant (I would never call them obvious) features of the textÑhowever relevant to your interpretationÑthat, simply because of their quantity, position or significance in the poem, cannot be ignored
3.b.
|
Interpretation (same as 2b, above): This poem's spiritual metaphor parallels the difficulty of personal change. It can require great force to simply break a bad habit; to break from sin entirely would seem to require no less than divine intervention. |
||
|
Feature |
Text |
Discussion |
|
Tone/s or Structure Overt tone --
demanding |
"Batter my
heartÉ" "oerthrow
me," "bend your force..." "Divorce" "Take me to
you" "Imprison me" |
Ironically, this poem is a
plea to God, but its initial tone is demanding, delivered through a series of
outright commands to the Trinity.
This irony suggests the
illogic and desperation of a soul overwhelmed by its helplessness.['B1] |
|
Diction or Imagery Imagery -- metaphor |
"usurped town" "betroth'd unto your
Enemy" |
The urgency of the speaker is
conveyed through the increasing intimacy of the metaphor. The speaker compares himself an
invaded town, and then more provocatively to the victim of a forced
marriage. This progression
mirrors the increasing depths of
an emotional or psychological "downward spiral."['B2] |
|
Your choice: Paradox Mirrored parallel structure |
"That I may rise and
stand, o'erthrow me" "for I,/ Except You
enthrall me, never shall be free,/ Nor ever chaste, except You ravish
me." |
Paradox is present even from
the third line of the poem, in the physical metaphor of being
"o'erthrown" in order to "stand." In its final lines, the
poem brings the plea to its desperate conclusion with a sexual paradoxÑa
point that logic cannot grasp but the soul, somehow, can. The release from suffering requires a
super-human (divine) effortÑthe intervention of grace. The
addict or alcoholic must be "enthralled" and "ravished"
by something higher or greater, in order to transcend the addiction['B3]. |
3c. Thesis
|
Thesis (connect literary features 3b and interpretation
2b): John
Donne creates an experience personal crisis through a one-sided conversation
with God; the paradox and irony
point to the nature of transcendence itself, be it personal or
spiritual. |
|
IOC Organization |
|
|
Introduction |
Content (from 2a, above) Context (omitted from
Milli-Micro) Claim/Thesis (from 3c, above) |
|
Body: Detailed study of SPECIFIC text
and literary features, showing
their effect on response/interp. |
(from 3b, above) For each section: "Subclaim + feature/s + evidence
+ discussion + interpretation (see analytic paragraph structure) REPEAT for each subclaim. Try for the spoken equivalent of at
least THREE body paragraphs. You may organize your paragraphs
by a) feature type, b) effects on meaning, c) significance (most/least
important), or other strategies.
It is possible, but NOT recommended (except perhaps as a last resort)
to organize by going through the passage with a "line by line"
discussion. |
|
Conclusion |
Restat thesis and review most
persuasive points. Review effect of literary
features, and meaning/significance of the passage in the work. Extend outward from the work to
the meaning/significance in life (beyond the text). |